Friday, 2 November 2012

Pair guilty over stolen Matisse

1 November 2012 Last updated at 09:11 GMT Odalisque a la culotte rouge by Matisse The Caracas museum realised the original was missing in 2003 Two people have pleaded guilty to trying to sell a $3m (£1.8m) Henri Matisse painting stolen from a museum in Venezuela nearly 10 years ago.

The pair were caught in an FBI undercover operation at a Miami hotel in July.

Pedro Antonio Marcuello Guzman, 46, faces 10 years in jail for conspiracy to transport and sell stolen property, while Maria Martha Elisa Ornelas Lazo, 50, faces five years.

The pair will be sentenced in January.

The 1925 painting Odalisque in Red Pants had been hanging in the Caracas Museum of Contemporary Art.

Replaced with forgery

The painting depicts a bare-chested woman sitting cross-legged on the floor wearing a pair of scarlet trousers.

In 2003 the museum discovered the original artwork had been replaced with a forgery after an art collector reported it was being offered for sale in New York.

A court heard Mr Guzman, from Miami, was negotiating the sale and transportation of the Matisse for approximately $740,000 (£458,000) from Mexico by Ms Ornelas Lazo.

The pair were arrested when the painting was handed over to undercover FBI agents posing as buyers in Miami.

The FBI's National Stolen Art File database lists five other missing Matisse works, including a collection of 62 sketches.

His works were also among those stolen from a museum in Rotterdam in October. Thieves also stole paintings by Monet and Picasso.


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Academy to exhibit Australian art

1 November 2012 Last updated at 14:38 GMT Ned Kelly by Sidney Nolan Sidney Nolan is famous for his series of paintings depicting outlaw Ned Kelly The Royal Academy has revealed details of a major exhibition of Australian art it will host next year.

Billed as the first of its kind in the UK in more than half a century, Australia will bring together around 180 paintings, photographs and prints.

Impressionists, Early Modernists, 20th Century painters and Aboriginal artists will all be represented in London.

Organised with the National Gallery of Australia in Canberra, the exhibition runs from 21 September to 8 December.

Albert Namatjira, Emily Kame Kngwarreye, Arthur Streeton and Sidney Nolan will be among some of the Australian household names whose work will be featured.

According to the Academy, it will "consider the tensions both real and imagined between the landscape as a source of production, enjoyment, relaxation and inspiration [and] as a place loaded with mystery and danger".

The Australia exhibition will follow such other high-profile events as a major survey of Manet's portraiture and a look at Mexican art between 1910 and 1940.

There will also be an exhibition dedicated to architect Richard Rogers, creator of such internationally landmarks as the Pompidou Centre in Paris and the Millennium Dome.


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Winehouse wedding dress stolen

Steve Holden By Steve Holden
Newsbeat entertainment reporter Amy Winehouse The dress Amy Winehouse wore when she married ex-husband Blake Fielder-Civil has been stolen, a spokesman has confirmed.

It was taken while being kept in storage at the singer's former home in north London.

Another dress, worn by Amy Winehouse on an episode of Later... with Jools Holland, is also missing.

The Metropolitan Police say they have yet to receive a formal allegation about the thefts.

Catalogued

After the singer's death in July 2011, all her possessions were catalogued and placed in storage at her house in Camden.

Over the course of the last year, those possessions have been moved elsewhere.

Amy Winehouse's home Amy Winehouse's former home in Camden is now empty

The dresses are not thought to have been taken as a result of any break-in at the property.

The house is now empty and ready to be sold but still has round the clock security.

The dresses were among items earmarked for a fundraising event in New York early next year.

Other items are to be auctioned at a similar event in central London this month to raise money for the Amy Winehouse Foundation.

The charity was set up by Amy's father Mitch Winehouse.

A spokesman said: "People need to know they are not supposed to be out there on the market and they should not try to buy them.

"The dress Amy wore on the cover of Back To Black sold for £40,000 last year and the money went to the foundation, and another dress sold for £30,000 so the wedding dress could have raised as much as £100,000."

The star died in July 2011 of alcohol poisoning at the age of 27.

A verdict of misadventure was recorded after the inquest heard the singer had 416mg of alcohol per 100ml of blood.

Amy Winehouse and Blake Fielder-Civil Amy Winehouse married Blake Fielder-Civil in 2007 but they divorced in 2009

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Skyfall is best Bond opening ever

29 October 2012 Last updated at 17:11 GMT Daniel Craig in Skyfall Skyfall is Daniel Craig's third Bond outing, with two more on the cards New James Bond movie Skyfall has had the biggest Bond opening weekend of all time, according to figures from film company Sony Pictures.

It took £20.1m following its release on Friday making it the biggest UK opening of 2012 so far and the third biggest UK opening of all time.

However Skyfall failed to smash the record set by last year's Harry Potter And The Deathly Hallows Part 2.

The final film in the wizard franchise, in 3D, took £23m in its first weekend.

It is also just behind Toy Story 3, which took £21.2m in its opening weekend according to Screen Daily, although the animation also benefited from four days of previews.

Michael G Wilson and Barbara Broccoli, producers of the 23rd 007 movie, said: "We are absolutely overwhelmed with the reaction to Skyfall this weekend. It is particularly thrilling as the UK is home to James Bond and it being the 50th anniversary year."

James Bond is the longest-running film franchise in history.

Co-starring Dame Judi Dench and Javier Bardem, it opened in 587 cinemas across the UK and Ireland, while US fans will get to see the film from 9 November.

Skyfall marked director Sam Mendes' Bond debut, but sees Daniel Craig back in the role of the spy for a third time, following the success of Casino Royale and Quantum of Solace.

He has signed up to return as 007 in two more Bond films.

Last week it was revealed in The Hollywood Reporter that one of Skyfall's co-writers, John Logan, had begun work on a two-part original Bond story, not based on the work of the series' original author Ian Fleming.

Logan has previously worked on Martin Scorsese films Hugo and The Aviator and Ridley Scott's Gladiator.


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VIDEO: Peru goes mad for Korean boy band

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Stage shows explore darkest fears

31 October 2012 Last updated at 03:09 GMT By Tim Masters Entertainment and arts correspondent, BBC News Rocky Horror writer Richard O'Brien reveals his top tips for a good horror story

The auditorium goes dark. Night black. Silence. A chair scrapes. Nervous laughter.

A disembodied voice speaks of murder, meat-hooks and maggots. Unseen things drop from above.

The screaming starts...

It's a Thursday night at the Soho Theatre, where the show Terror 2012: All in the Mind is reaching its climax - with the lights out.

The annual festival of horror, now in its ninth season, consists of four short plays linked by cabaret hosts Sarah-Louise Young and Desmond O'Connor.

Left frame: Sarah-Louise Young and Desmond O’Connor sing with a ouija board. Right frame: Shaun Stone and Victoria Lennox in the short play Representation at the Soho Theatre's Terror 2012: All in the Mind Terror 2012: (left) Sarah-Louise Young and Desmond O'Connor host while (right) Shaun Stone gets it in the neck from Victoria Lennox in the play Representation

The playful pair probe audiences' phobias, sing with a Ouija board and perform a gory twist on Fifty Shades of Grey. It's all for over-18s only.

As Halloween brings its annual offering of theatrical shows around London that promise to chill the blood, what exactly is the secret of getting stage horror right?

Continue reading the main story
In the original Grand-Guignol, they would judge the success of an evening by how many people threw up”

End Quote Sarah-Louise Young "Anything to do with frightening people is like rehearsing comedy - until you get your audience you don't know if it works or not," explains Young.

The Terror 2012 show is largely inspired by the Parisian Theatre du Grand-Guignol, which staged horror shows from the late 19th Century until its post-war decline in the 1960s.

"In the original Grand-Guignol, they would judge the success of an evening by how many people threw up or had to leave - we haven't had too many people do that," says Young.

"You've got to remember that not so long ago people went to see public executions as entertainment. We think we live in the most violent times, but when you look back to the penny dreadfuls and the dime novels we've always been interested in horror and gore."

Continue reading the main story

Lack of control. Most of my nightmares are when you scream and no sound comes out or you run and you can't move. Powerlessness comes into all horror.

The actress and singer reveals that one play - about a real murder case in Ukraine - was dropped from the Terror 2012 show at a late stage.

Its use of internet footage of people reacting to the video of a killing was, she says, "a line that we couldn't cross... people would have probably walked out."

John Gregor as the head lighthouse-keeper George Roper and Abi Blears as Vicky in Drowning Rock John Gregor as the head lighthouse-keeper George Roper and Abi Blears as Vicky in Drowning Rock

A Gothic ghostly tale of the sea is the Halloween offering at the Camden People's Theatre.

Drowning Rock, written and directed by Matthew Wood, is inspired by shipwreck stories, Cornish legends and HP Lovecraft's 1931 novella The Shadow Over Innsmouth.

"We are aiming for a slow build of atmospheric horror, " explains Wood. "We're not taking a hack and slash, Saw-film approach. It's much more in the vein of classic ghost story-telling."

The show is by Cyclopean Productions, a theatre company based in Surrey dedicated to new writing in a Gothic vein.

Set on the desolate lighthouse at Drowning Rock, the production makes the most of its intimate theatre setting.

"We rely on a number of technical effects, but the main element is the power of suggestion," Wood says.

"We had one girl who had to close her eyes through half of it, so that's always a good reaction."

The playwright's starting point was the true story of the disappearance of three keepers from the Flannan Isle Lighthouse in the Outer Hebrides in 1900.

Continue reading the main story

The imagination is a powerful thing and what scares me tends to be "the night after" - once you've seen something scary and then it gets under your skin and your imagination starts playing with it.

But as well as the work of American author HP Lovecraft (1890-1937), Wood also notes the influence of the film Jaws.

"I think Jaws is one of those films that really gets into the collective unconscious. It is a primal fear of having something beneath you, hunting you. We are out of our depth in the sea.

"I was trying to create that sense of dark things lurking in the corners of the known world."

Kate Quinn and Alicia Bennett in Theatre of the Damned's The Horror! The Horror! at Wilton's Music Hall Kate Quinn and Alicia Bennett in Theatre of the Damned's The Horror! The Horror! at Wilton's Music Hall

How does Drowning Rock get its 15+ age recommendation? "There's no bad language or graphic violence," explains Wood. "But we were very conscious that we weren't writing a show that was child-friendly.

"The themes in Lovecraft are quite dark."

More gore is on offer at the London Horror Festival which mostly takes place at Camden's Etcetera Theatre.

Billed as "a three-week celebration of horror in the performing arts", it includes plays, comedy, puppetry and even a lecture on the history of the Grand-Guignol.

The programme includes Theatre of the Damned's immersive, Victorian promenade show The Horror! The Horror! at Wilton's Music Hall.

"The secret to good horror on stage is that it has be good drama," says Stewart Pringle, the festival's producer.

"You can't just throw blood and guts at the audience because they'll get bored. You've got to give them something real, and you've got to give them characters they care about."

Pringle compares watching a horror show to a rollercoaster ride.

"Audiences know that their heart rate is going to go up. They know that they can expect surprises.

"The great thing about horror is that it can go anywhere. The dead can come back to life. Things that a normal play just doesn't have in its palette can happen in horror."

Terror 2012: All in the Mind is at Soho Theatre until 3 November. Drowning Rock is at Camden People's Theatre until 4 November. The London Horror Festival runs at the Etcetera Theatre, Camden and Wilton's Music Hall, Tower Hamlets until 7 November.

Video interview and additional reporting by Rachel Curtis.


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Pop on a budget: Introducing Ria Ritchie

31 October 2012 Last updated at 08:21 GMT By Mark Savage BBC News entertainment reporter Ria Ritchie Ria Ritchie studied alongside Ed Sheeran at the British Academy of Music After being spotted by Plan B, Ria Ritchie is popping up on national radio before she has even secured a recording contract. The pop singer tells the BBC about her unconventional rise to fame.

It's a sentence to make your heart sink like a shoe in a yoghurt. "With over 10 million views and 35k subscribers, Ria Ritchie is nothing short of a YouTube phenomenon."

Justin Bieber walking into a revolving door is a YouTube phenomenon. This surprised kitten is a YouTube phenomenon. Alarmingly, even the Peanut Butter Jelly song is a YouTube phenomenon.

There are hundreds of bedroom-based singers racking up page views on YouTube who will never trouble the charts.

The difference for Ria Ritchie is that Brit award-winner Plan B stumbled across her YouTube channel and got in touch.

The rapper was searching for Duffy's single Warwick Avenue, as he had just hired the video's director, Daniel Wolfe, to film the promo for his next single.

"He was on a tour bus on the way to Southampton," explains Ritchie, "and my cover of Warwick Avenue was listed down the side.

"He clicked on that, and then he clicked on my channel to see if I'd written anything - and that's what made him get in touch with me."

Plan B Plan B achieved mainstream success with The Defamation of Strickland Banks

Minutes later, an email zinged into Ritchie's inbox. It began, rather humbly, with the sentence: "Hello, my name is Ben Drew, although you might know me as Plan B."

"He said he thought I had a lot of potential and he'd like to help me out," Ritchie says.

A week later, she carried her guitar into his rehearsal rooms in Hackney.

"All he said was 'teach my band your song', and then he walked out," she recalls.

"After we'd finished playing it, he just said how good he thought it sounded. A week after that we started writing songs together."

Those songs have yet to see the light of day, but Ritchie has been making waves nonetheless.

Earlier this summer she duetted with dreamstep producers Disclosure on the club hit Control, which earned her a first play on Radio 1, while her new single Something About You has been heavily featured on sister station 1Xtra.

Not bad for a singer with no recording contract.

"I paid for the Something About You video myself," she confesses. "It cost about £1,500. Normally, you're lucky to get a video for ten grand."

The money came from a publishing deal with EMI, which Ritchie has been "spending carefully" for the last two years.

"It's all about cutting corners as much as you can," she says.

For example, the canary yellow vintage Triumph convertible which features in the video was arranged through her brother's best friend, whose father owns a classic car showroom.

"Favours and friends, that's all it is" she says brightly.

University drop-out

Ritchie was born 25 years ago in Lowestoft, Suffolk, best known as the birthplace of cartoon rock buffoons The Darkness.

"A lot of people slate it," she says, "but it's just a nice seaside town."

She is the youngest sibling in a close-knit family. One of her brothers is hotly-tipped actor Reece Ritchie, currently filming his first lead role in Desert Dancer with Slumdog Millionaire's Frieda Pinto.

"My nan keeps scrapbooks of our achievements," she says. "We've got one each".

And, while the siblings get competitive over page counts and twitter followers, they are hugely supportive of one another.

Scene from White Heat The singer's brother Reece (right) starred in BBC series White Heat

Without the intervention of her eldest brother Ross, Ria might never have pursued music, having initially enrolled to study sports science at university.

"I went to my first lecture, on muscle biopsy or something, and I wasn't interested in it," she says. "All I was doing was sitting in my room and playing guitar."

After 10 days, Ross came to visit and realised his sister wasn't happy.

"We went for something to eat and he said, 'why don't we just go? You should do music, that's obviously what you want.'

"So I went back to my little room in halls and packed up my whole life and put it in his car and went. I didn't even say goodbye to anyone."

Fortuitously, an email arrived the next day inviting her to audition for music college. Her tutor later put her forward for the British Academy of Music, alongside another of his pupils - Ed Sheeran.

If it seems like a fairytale, it's only because time is compressed in the retelling.

"I'm chomping at the bit," laughs the singer, five years after uploading her first YouTube clip. "It's had a natural momentum, though. I'm happy with how things are going and I don't want to jinx it."

The chunky piano chords and 1990s drum loops that propel Something About You have earned Ritchie comparisons with fellow pop star Katy B.

Ria Ritchie Despite her independent success, Ritchie is still hoping for a record deal

But while Katy B's Mercury-nominated album rose from the underground dubstep scene, Ritchie admits her song was inspired by Ce Ce Peniston's club classic Finally.

Writing sessions for her debut album are continuing with Plan B; Craze and Hoax, who co-wrote Heaven and Next To Me for Emeli Sande; and The Nexus.

The latter, who were responsible Lana Del Rey's National Anthem, are fronted by former Fame Academy winner David Sneddon.

"He was telling me he enjoyed doing the Fame Academy thing," she says, "but they were telling him what kind of songs to write. Now, he just loves being able to write what he wants."

Sneddon has proved a useful foil for the up-and-coming singer. "Because he can sing really high - so if he hits a note, I can usually do it as well."

I wonder if Ritchie ever considered pursuing the TV talent show route herself. "I did," she laughs. "I went in for X Factor years ago.

"I don't know if a lot of people know this, but you have to have about four auditions before you even get seen by the main judges. I got to the fourth round and, basically, they sat me down and they wanted a story, a sob story.

"I didn't know what to say. My mum and dad are really supportive? I hurt my toe once? They sent me a letter after that chat and said they didn't think I was suitable.

"It was a knock back, definitely. But then I got that email from Plan B."

Something About You is out now. Ria plans to release her debut album in 2013.


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